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Showing posts with label album review. Show all posts
Showing posts with label album review. Show all posts

Thursday, 3 July 2025

FRANKIE'S STRANGE TALES


 

Emerging from the prolific Netherlands, we first encountered the young troubadour Frankie delighting us with his modern Screaming Lord Sutch around Halloween 2023. After delivering this delectable appetizer, he is back with a copious full course and what a gustatory journey through realms and atmospheres !

As in a very animated dream, one moves seamlessly from one dimension to another, as if hopping on a cloud for a magic carpet ride. On the sleeve, Frankie appears to be levitating a scroll or book of spells under his prominent album title. The font is quite a show stopper and looks like it's made of fragments from the cosmos. On the back cover, the songwriter is holding a magic wand in his right hand while one can clearly see the cover of the book with a massive question mark, in his other hand. Buckle up, wizard Frankie is about to take you to the moon and back with his Strange Tales. Meanwhile, embrace the uncertainty of what comes next.

The tune Lonesome prince opens the gateway to these tales, like a loop at the crossroads of the human and occult world where the veil is thin  : the sounds of drops brewing in a magic potion and church bells simultaneously dissolving into the ether. Our prince is going to beat the odds on his sonic crusade. From a rather candid paisley laced melody like "Wings ‘n Gills" to a dreamscape like the hypnotic "Black Rose" which may remind some of another Dutch artist, Jacco Gardner’s  whimsical early work. This song is a poetry ode whose spellbinding charm will stop you in your tracks. It reflects on the tantalizing power of things. Stop and smell the black rose but beware of its thick thorns.

Throughout the record, Frankie keeps shapeshifting. “Fossilized” substantiates one of his transient incarnations and the cycle of life. He incorporates his native Dutch language in some of his songs, which never sounds  incongruous  as every track is a chapter in itself but they all fit into another as part of the narrative. Dutch being quite similar to old English, it sounds like he is expressing himself in a variant of modern English, which adds to the quaint spirit of his tunes.

"Planeet Babylon" reaches a climax almost halfway through on the album, he's unlocked a portal in his peregrinations. “Rat King” brings a more delicate, melancholic and quintessentially fairy tale vibe, It is a medieval tapestry that resonates in your mind. The following tune “Strange Machine” is as dissimilar as can be and features a western gimmick vibe, an epic chase that conveys some sense of urgency and a cinematic feel.

This rolls on to "Time" and "Panic Attack" which are worthy of classic horror movies soundtracks and put forward a spooktacular dimension. One gets trapped into a haunted derelict manor with Time and a riff that literally sticks its fangs into our necks.

Panic Attack triggers some high adrenaline rush and mirrors our own brainmap when we are afraid. Then,  in a stark contrast,  "Breathe" radiates the most soothing and zen  aura.

On the same token, "Changes Around You" are the calm after the War Machine storm. The intro is a (not so) veiled reference to the Stranger Things theme.

The uplifting finale "Crooked Flower" closes the circle, leaving the listener replenished after a full spectrum of emotions and ambiances. Frankie’s Strange Tales is a journey through music that mirrors life, its ups and downs, its pleasures, thrills, surprises, doubts and phobia. One you will want to revisit and will discern  more of its weaving and details at every listen.



Frankie's Strange Tales are available on Soundflat records and streaming platforms. 



Tuesday, 25 June 2024

HEATH : Isaak's Marble


 

The Netherlands hold some of the best kept secrets of the kingdom of rock'n'roll and a young band from The Hague has dug down to the roots of the genre to carve out a rough diamond from scratch : a psych blues debut album called Isaak's Marble. To engage in its listening experience is to embark on an eventful journey through sound, beyond time and realms . Come hell or high water, the ship sails smoothly, kicking off with this the self-titled opener. 

Symbolically, Isaak means one who laughs or rejoices and marble is believed to provide clarity, self-control and stability, both physically and emotionally. This odyssey is aptly-named, the listener is greeted with an endearing harmonica, a trademark for Heath's intense sound and an unfurling wave of blues adorned with storytelling vocals that keep you on tenterhooks.

 The band's prog dimension has a layered effect with every tune unfolding into several song structures that remarkably fit into each other while keeping you alert.

The record itself is divided into four major soundscapes that flow seamlessly whilst being subtly distinct in textures and atmospheres.

One may suss out that “Wondrous Wetlands” refers to Heath's homeland of The Netherlands, a very hypnotic ode that evokes no rain in its ambiance and is filled to the brim with bliss and euphoria. The intro is quixotic, a dreamy pinnacle in a league of its own that propels you to another dimension, an ethereal vortex that unravels as a colorful dreamland. The vocals are very fitting and uplifting, the kind of tune you feel like humming to and daydreaming to before it turns into a proper psychedelic rollercoaster that catches you off guard.

This flamboyant mosaic of sounds is not dissimilar to what Nolan Potter's Nightmare Band achieved with Nightmare Forever, bursting with mental pictures and lush musical influences poetically colliding and blending as in a chemical osmosis. This analogy is even more significant when the soundscapes switch to the third tune “Strawberry Girl”, which oozes fairy tale vibrations. Blink and you may just catch a glimpse of a dragon whilst the frontman's  snake-charming harmonica keeps punctuating the narrative as a connecting thread. These Dutch troubadours may have just magically crafted a medieval-psych-blues sub genre, against all odds.

The final track “Valley of the Sun” goes one notch deeper to cover its tracks, unveiling another epic incarnation that manifests strong Arabian Night resonances. It is a tour de force that closes the narrative yarn with much flair and a hint of mystery. “Fighting the desert king is the only end out of the nightmare” with a full canvas of musical hues merging in a glorious tale'n'roll  epiphany.

To be listened to at maximum volume and in compulsive rotations.

Isaak's Marble was released on May, 10th 2024.